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Who’s Excited? I’m Excited. – The Tennessee Project Toronto

“I am so deeply impressed with the vision and originality of the Tennessee Project! It is everything that a holistic arts project should be: grounded in excellence, collaborative in nature and focused on community. Bravo. I can’t wait.”          

             -Albert Schultz, Artistic Director of Soulpepper

THE TENNESSEE WILLIAMS PROJECT

Featuring the talents of nine theatre companies in the largest co-production Toronto has seen in years, the Tennessee Project will hit Toronto in MAY 2012! For seven nights, seven productions of Tennessee Williams’ one-acts will rotate through seven different Toronto neighborhoods, bringing Tennessee right to the heart of Toronto in an energized, heartfelt celebration of community, culture, and good ol’ Tenn.

HOW DOES IT WORK?

On May 1st 2012 at eight p.m., productions of the Tennessee one-acts will open in Cabbagetown, Greektown, Roncesvalles, The Annex, The Beach, Leslieville, and St. Clair West. The productions will rotate to a different neighborhood each evening, giving each community seven different nights of Williams.

WHAT’S THE POINT?

The point is to reach directly out to Toronto communities, develop relationships with them, and offer them a personal, friendly, uncomplicated theatre-going experience. We at the Tennessee Project believe Toronto has en enormous appetite for art, and seek to make it accessible, amiable, and celebratory, bringing theatre about our communities directly to them; to decentralize theatre from the downtown core and celebrate Toronto’s many faces, colors, and textures through the work of Williams – a man who always defended and treasured people from every walk of life. To bring a spectacular, unforgettable seven nights to the city that we love!!

BEYOND THE STAGE:

An evening in the theatre, like any form of entertainment, stands to be enriched through knowledge, familiarity, and interaction. The Tennessee Project is founded on the principle that audience outreach is an exciting and integral part of modern theatre that creates a more intimate and thrilling experience for all involved. Over the next few months, members of the Tennessee team will be getting to know each community. We will be volunteering at – and engaging with – local businesses, holding FREE events, opening up our rehearsals, holding ‘bar banter’ nights and VIP launch events, staging readings at local libraries, and bumping in to you on the street!

The companies involved are: Birdtown and Swanville Theatre Company,  Red One Theatre Collective,  Red Light Theatre District, Afterglow Theatre company, Another Theatre Company,  Theatre Caravel, Written on Water Theatre,   Quixotic Arts Collective, and Black Tea Theatre.

http://www.tennesseeprojecttoronto.com/

http://www.indiegogo.com/The-Tennessee-Williams-Project

Review: The Great Mountain – Young People’s Theatre

By: Ryan Quinn

Allyson Pratt and Meegwun Fairbrother in The Great Mountain

It’s especially hard for me to review The Great Mountain at the Young People’s Theatre, because I know that I’m not its intended audience at all. It’s also hard to review because there is no hidden layer, everything that the show needs to say, it says outright. But watching the performance, written by Tracey Power and directed by Alan Dilworth, I did feel let in on the magic. It’s not without its flaws, but I think it achieves what it set out to do, which is to send a message of environmental activism in a fun, heroic way.

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They’re Back…

After a sold out run at the Next Stage Theatre Festival, Morro and Jasp are back with their one of a kind cooking show.

Playing March 21-31, 2012
Cahoots Theatre
388 Queen Street East, Unit 3
Toronto

http://www.totix.ca
http://www.morroandjasp.com

Review: The Double

By: Barry Chong

Adam Poalozza’s rendition of Dostoyevsky’s The Double is a frenetic production punctuated by technical bravura and charming original music. Despite its allegiance to the towering source material (much of the dialogue is quoted verbatim), the play is full of bravely self-conscious humour, and even acknowledges its own nervous reverence of Dostoyevsky himself. But like the novella that inspired it, the theatrical Double’s brilliance lies in its ability to juggle humour with an inescapable thematic undertow of paranoia and terror.

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Review: Zero Hour

By: Stefanie Block

Spending two hours with Jim Brochu, I stepped into the life of legend actor Zero Mostel.

Jim Brochu as Mostel

In the show Zero Hour, Brochu plays Mostel, a Jewish actor who survived the McCarthy Era. Mostel, famously known for his role as Tevye in the original Broadway cast of Fiddler on the Roof was revealed in his telling of his experience with the rampant segregation and exclusion of the 1950’s. The experience was not uncommon: it was a dark time for many Jewish actors when  “the blacklist” sent many to prison for their communist affiliations and jeopardized their careers. Political and personal, Brochu tells the story of fame through the lens of someone who has risen, fallen and risen again.

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