By: Barry Chong
Adam Poalozza’s rendition of Dostoyevsky’s The Double is a frenetic production punctuated by technical bravura and charming original music. Despite its allegiance to the towering source material (much of the dialogue is quoted verbatim), the play is full of bravely self-conscious humour, and even acknowledges its own nervous reverence of Dostoyevsky himself. But like the novella that inspired it, the theatrical Double’s brilliance lies in its ability to juggle humour with an inescapable thematic undertow of paranoia and terror.
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