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Posts tagged ‘Natalie Frijia’

“Inspiration, Travel & Getting Personal” In Conversation with performer Clare Blackwood on BIKEFACE at the 2018 Toronto Fringe

Interview by Jared Bishop.

BikeFace is a show ready to inspire adventure. Strange but true tales of writer Natalie Frijia’s solo journey across Canada are brought to life by performer Clare Blackwood, on stage now at the 2018 Toronto Fringe Festival. We sat down with Clare to talk about inspiration, travel and how personal this show became.

JB: When did you first learn about the story told in BikeFace?

CB: It was about two months ago. I had no Fringe plans. My friend Rebecca Perry (producer) called me out of the blue and was like “Hey, Natalie Frijia (creator) and I have this script, you are one of two people we are considering for it. Is this something you would like to be a part of?” and I was like “Oh God, yes!”

That was a couple months ago. When I read the script, I knew that this was exactly the type of story I was interested in telling. I am a solo traveller as well. Natalie’s writing really resonates with me. We have the same style of dry humour about travelling alone. It’s really nice because it makes her words really easy to speak.

It was such a pleasure to read a script that felt tailor-made for me and she didn’t even know it.

JB: How did you make the story your own?

CB: I have done a lot of travelling by myself. I have had a lot of the experiences explored in the play, I didn’t have to sit there and wonder what’s it like to be alone in the middle of the road, in the middle of the country, in a place I have never been. I have that experience, I have that knowledge and I know what it’s like to be camping in the middle of nowhere and hear noises and think “I am going to die now… glad I had a good life!”

A big theme of the play is how being a woman is different when travelling alone, the adversity it comes with and the attitudes you get from other people. It’s often quite rampant so I know what she is talking about. Men are cat-calling you on your bike or you’re being told you shouldn’t be by yourself. It is something you get all the time when you are by yourself. So this made it very personal for me.

The joy of meeting new people is so prevalent in this play. Some of the best human beings I have ever met in my life are people who I have known for a day or two. They just leave this mark on you and then they leave. You think “I will probably never see this person again but I will remember them for the rest of my life.” I think that is also a really relatable theme in this show with all of these characters. They have all left such a huge mark on her (Natalie) that she wanted to bring them to life. It was my pleasure to try to do that without ever having met them.

JB: What inspires you to travel?

CB: I am a Gryffindor. I like not knowing where I am going and I like missing trains and having to figure out alternative routes and meeting new people and camping in stupid places where I shouldn’t be camping and not planning where I am sleeping. There is just such a thrill in that.

I love seeing new things. I am a giant history nerd and I go where the history is. It’s just fun for me. I know how I travel for some people is horrifying but for me it’s fun, that’s the baseline.

I’m influenced by my family who taught me to love camping. My mom is a person who has gone skydiving and who camps by herself, so this has always been encouraged.

I have always just been a stubbornly independent person so that’s where my inspiration for travel comes from. And it’s also a nice “fuck you” to people who say I can’t.

JB: There are many characters you explore in this show, do you have a specific process for developing them?

CB: It’s funny because I have never played multiple characters on stage before. This show was a huge challenge for me. I had to draw on a whole lot of sources to create these characters. Some came a lot more naturally than others. Normally, when I create a character, I start with the voice and go from there. That’s mostly what I did for these people. If I was having trouble with the character it was because I wasn’t being specific enough in their voice.

JB: How does telling this story compare to your past Fringe experiences?

CB: My fringe experiences have been varied and wonderful. This has definitely been the easiest story to tell. My parents came to see the show Saturday and they were like, “You could have written that. That’s the story we keep waiting for you to write.” Again, Natalie and I are very similar in the way that we write and the way that we travel. So with this show, the process of creating it for me wasn’t easy, but the act of telling it and the act of engaging with the audience has been a breeze.

You don’t have to work to get people on your side with this show. They are already there. You open your mouth and the words come out and they are like, “Oh yes, I like this person.”

This has been the most personal show for me. And the one that is closest to who I am as a human.

JB: What is something important to share with people who haven’t yet seen Bike Face?

CB: I really want people to come see this show, whether you like bikes, whether you go camping, whether you have gone on an adventure. It’s a show that people have been saying really resonates with them. It’s a perfect fringe show in the sense of it will make you laugh and it will make you cry and it will make you want to go on an adventure. I think it’s such a gift as a performer to have a show like this.

And because it’s been created by this badass group of women who are really good at their jobs! It feeds the inner adventurer in everybody, which I think is so lovely.

BikeFace 

Who:
Company: Trailblazing Ladies
Playwright: Natalie Frijia
Director:Mandy Roveda
Cast: Clare Blackwood
Producer: Rebecca Perry

What:
“Like a ride down the road with the wind at your back!” (Edmonton Journal)
During the Victorian cycling craze, doctors warned women riders they would undoubtedly cultivate “bicycle faces”: becoming over-exerted, wild-eyed, un-sexed vulgarities, with nothing before them but the wide, open road. Over a century later, the Journal of Paediatric Psychology still finds that girls are four times more likely to be warned about dangers inherent in exploration and adventure. This is where BikeFace takes off! It will tickle your funny bone and above all else, ignite your thirst for adventure!

Where:
The Annex Theatre
736 Bathurst St
Toronto
Ontario
M5S 1Z5

When:
July 12th   1:45pm
July 13th   9:45pm
July 14th   2:15pm
July 15th   7:30pm

Tickets:
fringetoronto.com

Photo Notes: Photographer: Hayley Andoff Featured in Photo: Clare Blackwood

 

 

 

 

“It’s Mad Max meets The Good, the Bad and the Ugly” Performers Amanda Cordner, Christina Bryson & Director Claire Burns on DIVINE at SummerWorks

Interview by Megan Robinson

When I walked into the rehearsal space for DIVINE, the women of the cast were already in costume. I caught sight of holsters and cow hide wrapped around their waists. Two actors were clasping plastic bottles molded into the shape of guns. It’s a hot room, and the cast was dressed head to toe. The women, a powerful group, sauntered across the stage and stood ready to begin.

DIVINE is a Western set in a post-apocalyptic Ontario where water has disappeared. Playwright Natalie Frijia, who is currently pursuing her PhD in environmental studies and theatre, first conceived of DIVINE during Storefront Theatre’s first playwrights unit.

The play portrays characters finding strength in a desperate situation. I can’t help but reflect on how the themes of the piece mirrored real life for the cast and crew. Days before rehearsals were set to start, Storefront Theatre was evicted from its space last December. DIVINE, and half the season, was cancelled.

After the run, I sat outside with cast members Christina Bryson and Amanda Cordner as well as director Claire Burns, who tried to remember the exact timeline: “We’d booked off work for rehearsals and everything,” Cordner said of the challenges that face artists who work in indie theatre; more often than not the people involved are also navigating their day jobs (or night jobs…Hi bartenders!)

But the show has landed on its feet and has a new home at SummerWorks. The changes that were made to fit festival needs have also opened up new possibilities. With a set that needs to be easily torn down, and a trimmed version of the original two-hour script, the show is perfect for touring and Burns went on to mention plans to share the show beyond the festival.

The idea of an Ontario in drought might be terrifying, but DIVINE is surprisingly playful in its telling of the story. However, keeping it light took some work. Bryson and Cordner explained that once they delved into the reality of their characters’ despairing situation, they had to be reminded one day in rehearsal that it was a comedy. Cordner, who plays Penn, rolled her eyes at herself and laughed, “I was bringing all the drama.”

Photo Credit: John Gundy

“The play itself isn’t an issue play. It’s a kind of fantastical adventure story but underneath it is that message of conservation and sustainability. We don’t want to get to a place where we don’t have water,” said director Claire Burns. There’s a sweet spot in this work of marrying activism and theatre, but Burns is clear on her approach, “You catch more bees with honey.” “People never learn when you point fingers at them,” Cordner added. Burns nods, “It’s like subliminal messaging.”

The show itself may not hit you over the head with its message but by forging relationships last fall with the World Wildlife Fund and Wellington Water Watchers, DIVINE is a show supported by those who are actively working towards the preservation of water. “It was important to me that we had partnerships with legitimate environmental organizations,” said Burns.

Originally written with male roles, Claire made the decision to work with an all-female cast. Her reasoning? “The women were legitimately the best people for the roles.” I asked if they ever played around with women playing men, using fake moustaches or other costume devices, but Cordner and Bryson just laughed as Cordner explained, “Claire made it very clear from the beginning that we were not going to do that.”

Burns shook her head, “I hate that shit.” And she’s had plenty of experience with it. “The guys who played women were always making everyone laugh and then I’d get on stage with my fake moustache and it would just be dumb. We didn’t want to do that. We’re not trying to fool anybody that we’re not women.”

Photo Credit: John Gundy

The choice to go with a female cast and crew has clearly paid off. When I asked the women to speak to the community they’ve created in DIVINE they didn’t hold back:

Claire Burns: “What I think is special is that I’m given the opportunity to get to know and get to work with so many powerful and smart women. With every show you work on you create these bonds with people and in this show in particular – I think it’s like 17 women working on this show – everyone is pulling their weight and so it’s such an easy process. I’m having such a good time. I’m really enjoying my community right now. I’m also enjoying that my community is being so generous letting me take this role and I’m so grateful that I’m allowed to shape this story in the way that I want. I’m also part of the                     queer community so I’ve put that into this, very much so…”

Amanda Cordner: (imitating Claire) “There will be a kiss. I don’t know where but there will be a kiss!”

Claire Burns: (laughing) “I’m very grateful it’s so fun.”

Christina Bryson: “It’s fun to get to kick-ass! How often, as women, do you get to do all this stage combat with like ten of you kicking ass at the same time?! That’s my favourite part.”

DIVINE

Photo Credit: John Gundy

Who:
Presented by Red One Theatre Collective with the generous support of The Storefront Theatre
Written by Natalie Frijia
Directed by Claire Burns
Assistant Director Molison Farmer
Dramaturgy Emma Mackenzie Hillier
Performed by Amanda Cordner, Aviva Armour-Ostroff, Christina Bryson, Sarah Naomi Campbell, Haley Garnett and Rehaset; Ensemble Annie Yao, Sabah Haque, Kathleen O’Reilly, Khadijah
Producer Sedina Fiati
Associate Producer Olivia Marshman
Set Design by Christine Urquhart
Lighting Design by Imogen Wilson
Costume Design by Sage Paul
Sound Design by Suzie Balogh
Fight Director Louisa Zhu
Assistant Fight Director Erin Eldershaw
Stage Managed by Lin-Mei Lay

What:
Ontario is out of water and a pair of bandits search for their last hope – a water diviner by the name of Penn. Stories say she can crack the world like a coconut and make water bubble to the surface with nothing but her hands. But the bandits aren’t the only ones hunting her down. And what if there’s nothing left for Penn to divine?

An all woman cast in Natalie Frijia’s post-apocalyptic wild west asks how we would survive in world without water. Would we turn to community… or to revenge?

Join the creative team of DIVINE for some post-show discussions – August 5 in the Factory Courtyard with Paul Baines from the Great Lakes Common and August 12 at The Paddock with guests from Wellington Water Watchers, the World Wildlife Fund and Surf the Greats.

Where:
Factory Theatre Mainspace
125 Bathurst Street, Toronto, ON

When:
Tuesday August 8th 9:45pm – 11:00pm
Wednesday August 9th 8:00pm – 9:15pm
Saturday August 12th 7:00pm – 8:15pm
Sunday August 13th 1:30pm – 2:45pm

Tickets:
summerworks.ca