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Posts tagged ‘ryan quinn’

Ryan Recommends: Conversations in Tusculum

By: Ryan Quinn

Nelson, Richard – Conversations in Tusculum

You may remember Richard Nelson from writing the book for the Broadway musical Chess, but this couldn’t be further removed from it. Conversations in Tusculum is a two-act play about the conversations Brutus, Cassius, and Cicero had before deciding to kill Caesar. Beautifully written, and full of potential monologues, if the character suits. I really loved it, but the reviewers seemed to think it was too cyclical and the characters did not undergo enough changes to keep the attention of the audience. However, that’s what struck me about it. It’s an exploration of the rationale that goes into an act of extreme violence, but it does not give the audience an easy out by letting the act take place onstage. It’s certainly worth reading as an insight into the motivations of the conspirators alone, but the philosophical significance of what the characters discuss is simply breathtaking at times. Cicero especially, who we are likely to initially dismiss as being not as important as Brutus or Cassius, delivers speeches that really resonate through to our time. I’d love to see a production of it in Toronto, but until then, give it a read, I doubt you’ll be disappointed.

2008 – 4 Males, 2 Females

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Ryan Recommends: Yesterday the Children Were Dancing (Hier Les Enfants Dansaient)

By: Ryan Quinn

Editor’s note: This article marks the first of a weekly series to come from Ryan Quinn. If you are an actor or a theatre lover, keep up to date with what plays you should read before you hit the stage. 

Gélinas, Gratien – Yesterday the Children Were Dancing (Hier Les Enfants Dansaient)

A French-Canadian politician and his separatist son debate the issue of a divided Canada on the eve of a monumental event for them both: one will be becoming a congressman in Ottawa, the other is orchestrating a series of explosions to undermine English influence in Québec. A great microcosm of that way the debate was raging in the late 1960s, which was of course when the FLQ was active. It’s as tense as Pinter and as character-driven as Miller, and it’s still incredibly significant, especially taking into account the student revolt currently going on in Québec. There are some amazing scenes and monologues for young and older actors. I read the translation by Mavor Moore, which was as emotionally resonant as I imagine the original text to be.

1967 – 5 males, 3 females

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Talking Tennessee with Alex Johnson

April 16, 2012

By: Ryan Quinn

This past week, I met up with director Alex Johnson, contributor for this site and co-creator of the Tennessee Project. I met Alex during my time in Windsor, but was really interested in getting to the heart of the Project and what she hopes it will accomplish in Toronto. This is the beginning of my series on the Tennessee Project, and I look forward to experiencing it with you, the reader.

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Review: The Great Mountain – Young People’s Theatre

By: Ryan Quinn

Allyson Pratt and Meegwun Fairbrother in The Great Mountain

It’s especially hard for me to review The Great Mountain at the Young People’s Theatre, because I know that I’m not its intended audience at all. It’s also hard to review because there is no hidden layer, everything that the show needs to say, it says outright. But watching the performance, written by Tracey Power and directed by Alan Dilworth, I did feel let in on the magic. It’s not without its flaws, but I think it achieves what it set out to do, which is to send a message of environmental activism in a fun, heroic way.

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NEW WRITERS!

All of us In the Greenroom want to send a welcome to our three lovely new writers, Ryan Quinn, Spencer Robson and Jeremy Beal! We are really looking forward to the pieces they have to offer us. Seriously, these guys are awesome writers. Stay tuned for more articles, reviews, videos and more! New bios coming soon.