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Posts tagged ‘Toronto Shakespeare’

O, What a Noble Mind is Here O’erthrown – In Conversation with Julia Nish-Lapidus, Ophelia in Shakespeare BASH’d Hamlet

by Bailey Green

If you’ve ever seen a Shakespeare BASH’d show, then you’ve seen Julia Nish-Lapidus work her magic. Behind the scenes, Julia has an eye for aesthetics and design. As Artistic Producer of the company she handles everything from ticket sales to social media. As an actor, Julia brings intelligence, wit and energy to her text—whether as the fierce Kate in The Taming of the Shrew or the clever Mistress Page in Merry Wives of Windsor. This February Julia is taking on a new challenge, the role of Ophelia in Hamlet (presented by Shakespeare BASH’d.) “She doesn’t have to be a victim,” Julia says of the doomed Ophelia. “She’s actively choosing what she wants, it’s not a blind obedience. And yet she does want the people around her to be happy. And I think that’s in the text, but I do think it will be a different Ophelia than most people are used to.”

In the title role of Hamlet is BASH’d Artistic Director James Wallis. James and Julia have been married since 2012 and Julia discusses how their shared history translates to a powerful connection onstage. “Hamlet and Ophelia don’t have much time together on stage to create this very intense relationship,” Julia says. “So working with James offers me a way in to that world, not to mention the trust and freedom we have in rehearsal.”

Photo of James Wallis & Julia Nish-Lapidus by Kyle Purcell.

Photo of James Wallis & Julia Nish-Lapidus by Kyle Purcell.

Catherine Rainville is taking the helm as director of this production. Catherine—who has acted in several BASH’d shows and co-directed Merry Wives during their Fringe 2015 run—leads a gender balanced cast that includes a female Laertes (played by Jennifer Dzialoszynski) as well as female Rosencrantz and Guildenstern (played by Jade Douris and Megan Miles.) “Catherine is such an actor’s director. She knows how to get you to solidify what you’re thinking.” Julia says of working with Catherine. “She just lets her actors’ impulses come out naturally, and then she helps shape them.” Julia also mentions how interesting it is to watch Hamlet surrounded by women that he mistrusts and how that new element affects the story.

Photo of Jennifer Dzialoszynski by Kyle Purcell

Photo of Jennifer Dzialoszynski by Kyle Purcell

Ophelia’s family dynamic has also been key to Julia’s exploration of Ophelia. Laertes’ (Jennifer Dzialoszynski) apprehension of Hamlet takes on a different tone coming from a sister as opposed to the older brother dynamic that audiences are used to. And Daniel Briere, who plays Polonius, is “such a giving scene partner who knows his text like no one’s business and has really embraced the idea of having two daughters,” says Julia.

Photo of Daniel Briere by Kyle Purcell

Photo of Daniel Briere by Kyle Purcell

Exploring the sister dynamic between Ophelia and Laertes has been a joy for Julia, “I couldn’t ask for better actors to be in a fake family with. And I think Catherine was right on the nose with her casting, especially with Jen. Wait until you see her fight,” Julia says. “The fights for this production, created by Nate Bitton, are incredible, and Jen performing them is amazing. It’s great to see a badass woman at the end of the show taking on the protagonist in a fight. Laertes being a woman brings a whole different quality to the fight at the end because now we’re seeing the rage and heart of a women whose entire family is dead.”

BASH’d shows have a reputation for selling out, so get your tickets early to avoid disappointment (plus when you buy online in advance, you save a dollar!)

Hamlet

Presented by Shakespeare BASH’d

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Who:
Directed by Catherine Rainville
Featuring: Daniel Briere, Jade Douris, Jennifer Dzialoszynski, Tim MacLean, Megan Miles, Jesse Nerenberg, Julia Nish-Lapidus, Drew O’Hara, David Ross, Jane Spence, James Wallis
Production Team: Dorea Beaudoin, Nathan Bitton, Darcy Haywood Stoop, Chloe Purcell, Kyle Purcell, Simon Rainville

What:
Shakespeare BASH’d caps off their biggest season yet with one of the Bard’s most beloved plays: Hamlet. Artistic Director James Wallis takes the stage in the title role, alongside a company of Shakespearean powerhouses in this energetic, compelling production. Returning to the Monarch Tavern, Hamlet will mark the fourth and final show of the company’s hitherto sold-out season. Don’t miss this new, fresh, and bold staging of a Shakespearean classic.

When: One week only! February 2-7, 2016

Where:  Monarch Tavern

Tickets$19 online, at shakespearebashd.com, $20 at the door (cash only)

Connect:

@shakesBASHd

@_BaileyGreen

@intheGreenRoom_

Artist Profile: Lesley Robertson takes on the role of King John in the upcoming production by Shakespeare BASH’d

Interview by Hallie Seline

Hallie Seline: King John has been scarcely performed up until last year when Stratford staged it. Why do you think King John is due for a ‘come-back’ and what about it stood out the most after working on it now in comparison to some of Shakespeare’s more often produced work in Canada?

Lesley Robertson: I think King John is definitely due for a come-back because I think we all need a break from the over-produced comedies for a bit, while still getting to enjoy Shakespeare’s spectacular poetry, characters, and timeless themes of humanity. I especially think it’s due for a come-back in the bare-bones, accessible way Shakespeare BASH’d is approaching the play.  The text is heavy with political maneuvering, battles over ‘right’, and religious language – it’s very dense and rooted in its history. But with the clear direction of James Wallis, I think we will make this difficult, murky-seeming play come alive for an audience through our emphasis on the story and language (without relying on expensive sets and costumes) and our youthful energy and passion to tell a story about oppression. I personally celebrate the play’s complexity and messy imperfections – I think it suits the story, which is full of political and moral errors and people switching back and forth between sides. I also think it’s a great time to tell a political story with Canada just having had a very interesting election and also a travelling Magna Carta exhibit!

HS: What have you discovered in exploring the character of King John? 

LR: I’ve thought a lot about manipulation and what is right and wrong. I’ve rarely played characters that, on the outside, might be perceived as ‘villainous’ or even not likeable. But from the inside, those people are simply acting in a manner they think best. They are doing what they think is right and they are simply going after what they want and need. So, I guess that’s to say, I’ve found it very interesting to empathize with someone that has been hated so widely and for centuries! (That’s not to say I think what John does is ‘good’ and ‘right’!) I think Shakespeare has created a deliciously complex play and I hope to imbue John with the complexity of any human being; we are all vulnerable. I hope to complicate the audience’s inherited perception of “Bad King John.”

HS: What are you most looking forward to in doing this piece in The Junction City Music Hall?

LR: The proximity between the audience and our playing space, I like being able to see audience members’ faces, and, of course, the beer.

HS: Describe this play in 10 words or less.

LR: Oh, I’m terrible at this… Crap, are you counting?… “Oppression.”

Lesley Robertson as King John. Photo Credit: Kyle Purcell

Lesley Robertson as King John.

Rapid Fire Question Round:

HS: Favourite Drink at The Junction City Music Hall:

LR: I remember noting several craft tall boys that I love, but I can only remember Conductor’s Ale at the moment. Ask me again at the end of the run!

HS: Favourite rehearsal moment:

LR: When everyone laughed at me during an early movement rehearsal in which I created a giant angry horse with my body that simply yells “NEIGH!!!”

HR: Favourite place in Toronto:

LR: Other than my home, the 13th floor of Robarts Library.

HS: Where do you find inspiration?

LR: Music, literature, history, documentaries…

HS: Best advice you’ve ever gotten:

LR: Hm… My streetcar driver today said “Life is too short to be grumpy” and that was pretty great.

HS: What do you think is on your King John’s pre-show playlist?

LR: Something that really pumps me up I guess… like gangster rap… Yeah, probably some gangster rap.

King John Graphic

Directed by James Wallis

Featuring: Sochi Fried, James Graham, Bailey Green, Catherine Rainville, Lesley Robertson, Caitlyn Robson, David Ross, Matt Shaw, Tim Welham, Kate Werneburg, Jeff Yung

When: November 16 – 21, 2015

Where: Junction City Music Hall, 2907 Dundas Street West, Toronto.

Tickets: $19 online: shakespearebashd.com $20 at the door.

Connect with us!

Shakespeare Bash’d: @ShakesBASHd

In the Greenroom: @intheGreenRoom_