Skip to content

Posts tagged ‘Unit 102’

“Surreal and Trashy” – In Conversation with Ali Joy Richardson, director of STILL by Jen Silverman

by Bailey Green

I have read other plays on the subject of a stillborn child…but none with language both surreal and trashy, none as funny, and none as moving.” – Marsha Norman (‘night, Mother)

Ali discovered STILL while searching through the Toronto Reference Library for a play to direct. She knew she wanted to direct a piece written in the last ten years and that preferably the play would be by a female playwright. While scanning through titles on the shelves, she saw the cover of STILL — the shadow of a baby in a stairwell. She read the character list: Morgan, a professor, Dolores, a sometimes dominatrix, Elena, a midwife and Constantinople, a giant dead baby. “I remember being uncomfortable because I kept laughing out loud in the library and then crying in public,” Ali remembers. “I knew I had to pick this script.”

STILL cast

Ali reached out to Annemieke Wade, Alicia Richardson, Julie Tepperman and Christopher Allen. Annemieke Wade’s reply: “I’m in and I’m pregnant,” Ali says. “So I said take a couple weeks, read the script and then she [Annemieke] reached out again and she was in. I was so, so glad.” Annemieke came on board to play Morgan, the professor who we find stuck in the womb of her own basement, wearing the clothes she wore when she delivered her stillborn child.

We find the giant dead baby, Constantinople, hitchhiking after escaping from the morgue. Constantinople is in search of his mother. “Christopher Allen’s physicality is so perfect, he is so tall and playful,” Ali says. “And the minute he speaks in the shows or moves it’s just bubbles of joy […] I asked him if he had any questions or worries about being a manifestation of a stillborn baby on stage and he said, ‘hm, nope.’ So he’s been so open to everything.”

Binocular full group

Alicia Richardson, who plays Dolores, said during table work that there are no heroes in the play. “No one fixes it,” says Ali. But the characters bring the audience into their world and deal with the subject matter with honesty, humour and candor. “Jen [Silverman] never lets you sit for too long. There’s permission to laugh,” Ali says. Dolores, the play’s self-made dominatrix, is kinky, funny, queer and unafraid to reinvent herself. Elena, played by Julie Tepperman, is the midwife who goes between Morgan and Dolores. It is through their dialogue we discover that Elena is under investigation for her practice. The stories intertwine and jump from basement to dilapidated hotel room.

For Ali, one of the greatest joys in directing this piece has been the opportunity to dig into fresh, challenging, unique female characters without the need to reinterpret due to dated or insufficient text. “The female characters are written beautifully and the relationships between women are really high stakes and complicated,” Ali says. “So to not have to fight against writing is so exciting.”

Note: STILL was inspired by a memoir called Ghostbelly, written by writer and professor Lisa Heineman in Iowa. Lisa was 46 when she gave birth to her stillborn son at home with a midwife. She wrote a brilliantly honest and heartbreaking memoir about her experience of grief and healing. If you’d like to read more about the collaboration behind STILL, please visit: http://howlround.com/authors/jen-silverman-elizabeth-heineman

STILL

Still Poster 1

Who:
Directed by Ali Joy Richardson, featuring Julie Tepperman, Annemieke Wade, Alicia Richardson & Christopher Allen

What:
STILL is the story of a professor, her midwife, a dominatrix, and a baby who never got to be. Morgan’s son was born dead, Dolores is pregnant with a child she doesn’t want, and failed midwife Elena seeks either redemption or a career change. All three women confront their fears, desires, and each other, while Morgan’s baby is running out of time to find her.

Where:
Unit 102 (376 Dufferin Street)

When:
March 4 – 13, 2016

More details: http://www.binoculartheatre.com/still

Tickets: http://still.brownpapertickets.com/

 

Philip Ridleys “Mercury Fur” Gets Toronto Premiere – A Chat with Director Will King

Interview by Hallie Seline

HS: Could you tell me a bit about the show? 

Will King: Absolutely! Mercury Fur follows two brothers who survive in a lawless city by fulfilling the dark and vivid fantasies of their clients. Language is degrading, memories are disappearing, and as the population becomes increasingly dependant on mind altering butterflies, their desperate need to connect with each other is intensified. It’s provocative and unapologetic, but at its core this is a show about what you would do to protect the person you love.

HS: What inspired you to do this show in Toronto right now? 

WK: I’ve been a fan of Philip Ridley’s work for a long time, and once I realized that there’s never been a Canadian production of this play I knew we needed to bring it to Toronto. It has an incredible cast of characters, and I’m consistently impressed by Ridley’s ability to write three dimensional parts for young actors. I also think Mercury Fur challenges the audience to experience theatre in a new way. It weaves together horror, drama, and comedy into a shot of adrenaline which leaves you wanting more. I’ve never read or experienced anything quite like it, and I feel like the strength of the writing allowed us to bring together a pretty incredible cast and crew.

HS: What has been the most surprising discovery you have made while working on Mercury Fur?

WK: The humour. Mercury Fur can be wickedly funny. We are constantly finding joy in this bleak world they live in and although there’s plenty of heavy subject matter, Ridley has created a solid polarity of comedy to keep things rolling.

Edit-1

HS: What inspires you as artists?

WK: At the moment I’m quite fascinated by Fantastic Realism. Through taking characters which are grounded and believable, and placing them in a heightened, magical, or supernatural environment I find we are able to expand the style and size of our world without compromising the given circumstances or truth of the characters.

For example, in Mercury Fur, every character has been affected by the outbreak of butterflies. Whether they sell them, consume them, reject them, or become hopelessly addicted to the power of their fantasy, the existence of these butterflies creates an immediate bond between the characters. 

Seven Siblings Theatre is also focused on utilizing the Michael Chekhov Acting Technique. So when I see a piece with strong shifts in atmosphere, an even ensemble, and characters that are heightened enough to be in a constant state of play I get excited. Mercury Fur goes hand-in-hand with my style and our company values, and I’m very proud of the people who are helping to make this possible. Their commitment to our psychophysical exploration was thrilling to watch, and the detail and nuance in their performance is the result of their engagement throughout our rehearsal process.

HS: If you could pitch this show to your audience in five to ten words, what would they be?

WK: Judith Thompson meets Quentin Tarantino. A party ensues.

MFUR-11

HS: What song or soundtrack should we listen to before coming to see the show? 

WK: As a small homage to the culture in which the play was written we’ve been digging into the soundscape of East London’s electronic music scene. I would recommend looking into Burial, Four Tet, Phaeleh, and SBTRKT. We’ve also been building a deep and dark sound palette, so Gesaffelstein seems appropriate to me as a pre-show prep. For the exact tone of our play, check out our sound designer’s work in his new self-titled Holloh E.P.

Lastly, I’d recommend that you brush the dust off your Elvis collection, but to find out why you’ll have to come to the show!

Mercury Fur

Presented by Seven Siblings Theatre Co.
 Edit-2

Director: Will King
Assistant Director: Madryn McCabe
Lighting and Sound Design: Parker Nowlan
Stage Manager: Andreane Christiansen
Fight Choreography: Nathan Bitton
Fight Captain: Annemieke Wade
Set Design: Stephen King

Cast:
Elliot: Cameron Laurie
Darren: Andrew Markowiak
Naz: Adrian Beattie
Lola: Eric Rich
Spinx: Mishka Thébaud
Duchess: Annemieke Wade
Party Piece: Kenneth Collins
Party Guest: D. Gingerich

Where: Unit 102

When: Aug 27th to Sept 6th

Tickets & More Info: http://sevensiblingstheatre.ca/mercury-fur/ 

FB: https://www.facebook.com/sevensiblingstheatreco
Twitter: https://twitter.com/@SevenSiblingsCo 

FWYC Campaignhttps://fwyc.ca/campaigns/mercury-fur 

Events We’re Crushin’ On: Everybody to the Theatre Company’s “Theatre on a Theme: Love” – Sunday February 23rd

Interview by Bailey Green

Everybody to the Theatre Company unintentionally greeted me with piano chords and harmonized voices as the cast rehearsed a musical interlude for their upcoming show, Theatre on a Theme: Love. This unique show is EtoTCompany’s second production, following the success of their first show Theatre on a Theme: Failure (September 2013).

“The interesting thing about the theme of love is how much it is related to pain. This show isn’t just a happy stroll through the park, under the stars,” director Drew O’Hara says of his cast. “The company have brought some really personal stuff to the work.” Artistic Director O’Hara founded Everybody to the Theatre Company with several members of his Ryerson acting class. The soon-to-be graduates were looking for a creative outlet and something they could call their own. O’Hara had conceived the idea of constructing a show called “Theatre on a Theme” where new, short plays would be woven into a whole, cohesive performance.

ToaT LOVE PR Photo 5

This winter the company put out its second call for submissions on the theme of “Love”. The plays have to be 5-10 minutes in length and use up to any of the three men and three women of the company (and of course be based around the selected theme). “When the audience watches through the lens of a theme, it allows them to make the connections for themselves,” said director Drew O’Hara. “It gives our audiences a more immediate connection to the actors and to the show. The experience of seeing Theatre on a Theme is more personal.”

Everybody to the Theatre wants to explore the theme of love in all its facets. Though many of the submissions were romantic, and that aspect is not ignored in the performance, O’Hara looked for plays that explored love in many forms. “The goal is that hopefully we’re going to find something for everybody,” said Artistic Producer Jade Douris. “But there are as many different kinds of love as there are people.“

Then something amazing happened when the call for new plays was posted for Theatre on a Theme: Love website. “The submission post went viral in the United States,” O’Hara said. None of the company knew how it had happened. Somehow the call for plays about love made its way into the right hands. Everybody to the Theatre Company was rewarded with almost two hundred plays from LA to New York, from Ohio and Michigan and from Halifax to Texas to Toronto.

Artistic director O’Hara selects the plays for each show by searching for the most unique perspectives, the variety of character or shows that may compliment and contrast each other. “We got so many submissions in the last ten days,” said producer Jade Douris. “Sometimes we just couldn’t cast the show, say a grandmother and grandchild scene, but for the most part it wasn’t easy. We read all of them.”

ToaT LOVE PR Photo 3

Everybody to the Theatre Company’s mandate reflects its name as they focus on bringing theatre to different audiences. Theatre on a Theme searches to find stories from as many different voices as possible. The playwrights range in age from 19-65 and include a past Dora nominee, a graduate of two masters programs, not to mention both experienced and amateur playwrights.

Two members of the company have their own work included in Love. “Owen and I both wrote for this show for the first time,” says Jade Douris pointing to founding member and actor Owen Stahn. Stahn smiles and admits, “Yeah, I’m still pretty self-conscious about that.” They laugh, grin and shift in their chairs.

Not to mention that the company still balances a full semester of theatre school. The collective process can be challenging and the company works hard to knit the plays into a cohesive whole. Honesty is key. “It requires you to bring a lot of passion and energy to rehearsal and risk getting completely rejected by your peers,” O’Hara says of the process. “Most of us learn to let go,” Jade Douris smiles as she teases Owen. Owen mourns for a vignette of his that was cut from Failure, the company’s first production. “By the end of the process, we learned that failure is an absolute part of life and a critical part of growing,” Owen says. “You can escape it, but you can also just embrace it.”

ToaT LOVE PR Photo 1

These intrepid artists have plans for future themes, but plan to adjust them depending on the social climate or what life throws at them. They hope to one day bring their shows to as many audiences as possible. After the performance in Toronto, Theatre on a Theme: Love is travelling to Peterborough to perform at the Theatre on King. Showtime is at 9:30pm, tickets are $15 or $10 if you see The Dumb Waiter, the show performing before theirs.

If you see an Everybody to the Theatre show and think of a theme you would love to see, visit their website and drop them an email. They are always open to hearing suggestions from their audiences.

Theatre on a Theme: Love

Presented by Everybody to the Theatre Company

1521276_648268825216817_631302206_n

When: Sunday February 23rd at 2pm and 8pm
Where: Unit 102 Theatre (376 Dufferin Street)
Tickets: Visit their website: www.everybodytotheatrecompany.com  $10 in advance, $15 at the door.

Everybody to the Theatre Company rehearses in the UCRC Studio. It’s a lovely studio space on Saint Clair West and has great, affordable rental prices, (http://www.uppercanadarep.com/#!rentals/cij8).

On Our Radar TO: Fall in Love with Toronto Theatre this Month

 

Whether it’s with your family, friends, lover, significant-other or you’re treatin’ yo self, we’ve listed our different date suggestions for these lusted-after February shows plus some February events we’re swooning over! These shows are On Our Radar, Toronto, and we think you should Fall in Love With Theatre all over again this February! 

Genesis & Other Stories

Written by Rosamund Small, presented by Aim for the Tangent Theatre

Genesis 2014 Promo Photo #1

Did the nudie promo pictures convince you yet? If you didn’t catch Genesis & Other Stories in their sold-out run in last summer’s Fringe Festival, lucky for you they have brought it back for a February re-mount in the Red Sandcastle Theatre after a revised run in the Hamilton Fringe. If you did catch it, you know you’ll want to see it again! Laugh-out-loud funny, thought-provoking and feel-good family fun… well… It’ll get you talking!

This is our On the Laugh-track to Love date recommendation.

Check out our interview we did with playwright Rosamund Small to find out more about the show. https://inthegreenroom.ca/2013/06/25/we-chat-with-rosamund-small-writer-of-genesis-other-stories/

“After his father’s death, Christopher, a theology student, leads a misfit cast of amateur actors in a production of his late father’s play: a hyper-sexed version of Adam and Eve set in 1960’s USA.  Slapstick, satire, and meta-theatre frame a surprisingly complex story about lonely people trying to fill roles that do not suit us. Christopher tries to convince everyone including himself that he is committed to his religion and its strict views on sexuality, and capable of directing and producing his father’s bizarre script. Despite everyone’s best intentions, a break up, forgotten lines, and a crisis of faith conspire to sabotage the production. The primary focus of Genesis is on laughter, but the show is only funny because of the pain and struggle of Chris and the other characters. A hilarious romp that is sure to get you thinking, whether you’re religious, theatrical, or somewhere in between.”

Genesis Promo Photo #2

“Comically disastrous… very funny. Things could only go worse if the theatre collapsed.” – Jon Kaplan, NOW Magazine

Where: RED Sandcastle Theatre (922 Queen Street East)
When: February 5th-15th Wednesday-Friday 8pm, Saturdays 7pm & 9pm
Tickets: $15 at the Door, $10 in Advance at www.totix.ca or call (416) 845-9411
For more information, visit: www.aimforthetangent.com

Shrew

Taming of the Shrew by William Shakespeare, presented by Red One Theatre Collective

1560440_10153733601120112_194156318_n

Killer cast, intriguing promotional poster, “puppetry & Vaudeville charm” set in the Klondike? After being big fans of After Miss Julie, we’re excited to see what Red One Theatre brings us next and Shrew seems to be just the ticket.

This is our Rowdy Buddies at the Shakespeare Show date recommendation.

“The beautiful and gentle Bianca has no shortage of admirers, but her mother insists that she will not marry until her older sister, Katharina, is betrothed. The only problem is that Katharina is the wildest, loudest, maddest shrew in the Klondike. It’s a low-down showdown with honky-tonk, puppetry, slapstick, and Vaudeville charm, and one of these gunslingers will either go broke or strike gold.

In his directorial debut, rising Stratford Festival star and RedOne Theatre veteran Tyrone Savage gathers together Toronto’s premier emerging talents for the first time in this one-of-a-kind production.”

Where: The Storefront Theatre (955 Bloor Street West)
When: February 15th – March 2nd, 2014 8pm (Sunday PWYC Matinees – 2pm)
Tickets: $19.99 Advance tickets available @ www.secureaseat.com

The Way Back to Thursday

Written by Rob Kempson, presented by Theatre Passe Muraille

1530325_667271579982658_157778925_n

Call your Grandma, call your mother… Hell, call EVERYONE and take them to the theatre this month. Rob Kempson has written a charming, funny and moving musical about unconditional love that will have you beaming one minute and reaching for a box of tissues the next.

This is our Reconnecting With Family date recommendation.

“Inspired by the traditional song cycle form, The Way Back to Thursday is a musical about unconditional love that crosses generations, genders and lifetimes.

Cameron and his Grandmother have a special tradition – movie nights every Thursday.  Together they escape into the glamour and romance of the Golden Age of film.  But as Cameron grows, so does the distance between them.”

stage-wayback-0130_large

Where: Theatre Passe Muraille (16 Ryerson)
When: Now to February 8th
Tickets: Pwyc-$32.50. 416-504-7529

The Ugly One

Written by Marius von Mayenburg, translated by Maja Zade. Co-production by Theatre Smash and Tarragon Theatre

tn-500_27[1]

Sharp, odd, hilarious and the tightest staging, design and performances that we’ve seen in one show in a while – The Ugly One is a must-see before it closes mid-February. We can’t and we won’t stop chatting about it. Theatre Isn’t Dead said it perfectly: “Non-theatre folks will dig it too. I can almost promise that.” –Blog Theatre Isn’t Dead.

We deem this our Theatrical Rejuvenation date aka. Win-over-that-friend-who-is-too-cool-for-theatre-with-the-cool-theatre-show date recommendation.

“You can’t sell anything with that face.” A razor sharp satire about getting ahead in the world. With mesmerizing speed, this award-winning work by one of Germany’s hottest playwrights catapults us into a narcissistic world obsessed with beauty, image and plastic surgery.”

20111007_TheUglyOne

Where: Tarragon Theatre Extra Space
When: Now until February 16th
Tickets: http://tarragontheatre.com/season/1314/the-ugly-one/

Of Mice and Morro and Jasp

Created and performed by Heather Marie Annis and Amy Lee, presented by U.N.I.T. Productions and Factory Theatre

OF MICE

U.N.I.T. Productions is excited to announce the remount of Of Mice and Morro and Jasp!

Morro and Jasp feel the pinch of the recent economic downturn and decide to try to make ends meet by staging John Steinbeck’s classic tale Of Mice and Men. Can the clown sisters stick to the story? Will they both make it out alive? This winter, find out for yourself!

This is our Friends Until The End date recommendation.

Where: Factory Studio Theatre
When: Jan 28 to Feb 8, Tue-Sat 8PM, Thur 1PM, Sat 2PM
Tickets: $25 Regular Price / $20 Student, Senior, Arts Worker PWYC Preview Jan 28 www.factorytheatre.ca 416-504-9971

20120219-_DSC0977_2

Read our latest interview with Co-creators & performers Heather Marie Annis and Amy Lee here: https://inthegreenroom.ca/2014/01/29/of-mice-and-morro-and-jasp/

Idiot’s Delight

Written by Robert E. Sherwood, presented by Soulpepper Theatre

Courtney Ch'ng Lancaster, Hailey Gillis, Gregory Prest & Dan Chameroy. Photo Credit: Cylla von Tiedemann

Courtney Ch’ng Lancaster, Hailey Gillis, Gregory Prest & Dan Chameroy. Photo Credit: Cylla von Tiedemann

With 1920’s flair, song, dance and love amongst wartime, this is our Indulging in Delights date recommendation.

“A cast of wonderfully eccentric and international guests – countesses, arms dealers, showgirls, revolutionaries, charlatans and lovers – spend a fateful weekend in a resort hotel in the Italian Alps. While songs are sung and dances danced and loves rekindled, the dark clouds of war come rolling in.”

Where: Young Centre for the Performing Arts
When: January 29th – March 1st
Tickets: http://soulpepper.ca/performances/14_season/Idiot’s_Delight.aspx

Read our latest Artist Profile with Paolo Santalucia & Courtney Ch’ng Lancaster “From Academy to Company in Soulpepper’s “Idiot’s Delight” here: https://inthegreenroom.ca/artist-profiles/

the dreamer examines his pillow

By John Patrick Shanley, presented by JR Theatre Company

Dreamer_poster_WEB

the dreamer examines his pillow is a surreal, intimate look at the beautiful and dark forces of love. The play explores the aftermath of love, whether it’s after an explosive affair between two lovers, or the dwindling, harsh lack of love from a widowed father to his daughter. Poetic, lyrical and rough – the dreamer examines his pillow is one of contemporary theatre’s finest looks at intimacy and need. It sounds to us like the perfect antithesis to Hallmark’s version of Valentine’s Day!

This is our Dark Surrealist Valentine’s Day date recommendation.

Where: The Box Toronto (89 Niagara Street)
When: February 7th-16th Fridays & Saturdays 8pm, Sundays 2pm
Tickets: dreamer.brownpapertickets.com 

LABOUR

Written by Eric Welch and Ryan Welch. Based on the original short story by Ryan Welch with further realization by The Coyote Collective Company, presented by Coyote Collective

1510413_10152196757505850_2082767011_n

LABOUR looks at the Sisyphean life of factory day-workers, who see no choices but to go to work every day, and have resigned themselves to a life of the same. For these four characters, commodification has completely changed the way they think about life, love, and happiness.

This is our Socially Conscious date recommendation.

Where: Theatre Passe-Muraille Backspace
When: February 5th to the 9th. 5th-7th 7:30pm, 8th 2pm & 7:30pm, 9th 2pm
Tickets: $20, Student/Senior $15, PWYC: Saturday, February 8th 2:00pm, Opening and Media Night: Wednesday, February 5th
Tickets available for purchase at artsboxoffice.ca or at the door. 

Events We’re Crushin’ On:

The 35th Rhubarb Festival

f_festival

Buddies in Bad Times Theatre presents their 35th annual festival of new works in contemporary theatre, performance art, dance, and music. For two weeks artists transform the Buddies neighbourhood into a hotbed of experimentation, sharing new works in contemporary theatre, performance art, dance, and music with adventure-loving audiences.

New to the festival this year is a new series of Open Space Projects will animate unexpected spaces around the Buddies neighbourhood and make new artistic connections between five historic queer institutions here in Toronto.

When: February 12th-23rd
Where: Buddies in Bad Times Theatre & around the neighbourhood
Tickets: Open Space Projects & Artist Talks – Free
Young Creators Unit – PWYC
Week One Mainstage Projects – $10
Week Two Evening Passes – $20

Roar

Written & performed by Spencer Charles Smith, presented by Straight Camp

1545009_698992110133952_1636196358_n

“Roar – a solo play about beefy, burly, brawny love”

SYNOPSIS – A boy’s campy quest for furry love, Spencer will explore his unapologetic desire for ‘bearish’ men, critique the problematic spectrum of identities within the Bear community (Bear, Cub, Otter, Panda, Muscle-Bear, etc.) and hopefully deconstruct notions of hegemonic masculinity.

Above all, it’s a love letter.

This is a staged-reading of Spencer’s latest draft of Roar and he is eager to hear your feedback. A talk-back will follow the presentation. And drinks. Featuring a special pre-show presentation: “Kid: A Queer Fable”, written, illustrated and performed by Katie Sly

Where: Videofag (187 Augusta Ave)
When: Wednesday February 5th 8pm, Thursday February 6th 8pm
Tickets: PWYC (at the door)

Theatre on a Theme: Love

Conceived and Directed by Drew O’Hara, presented by Everybody to the Theatre Company

1521276_648268825216817_631302206_n

“Six actors, 18 theatre pieces that vary in length from 10 minutes to 10 seconds. What do you get? A hilarious, heart-wrenching, fast-paced, occasionally musical, exciting night at the theatre. Following the success of Theatre on a Theme: FAILURE, the Everybody to the Theatre Company gang will bring you Theatre on a Theme: LOVE, just in time for Valentine’s Day.”

Where: Unit 102 Theatre (376 Dufferin Street)
When: Sunday February 23rd 2pm & 8pm
Tickets: http://www.eventbrite.ca/o/everybody-to-the-theatre-company-4737180757?s=20682528

William Shakespeare’s Star Wars: Verily, A New Hope”

Written by Ian Doescher, presented by Red One Theatre Collective and Confessions of a Redheaded Coffeeshop Girl

1507666_10152180986803653_1280889988_n

A one-night only staged reading of the classic sci-fi epic told in the Bard’s style.

“This sublime retelling of George Lucas’s epic Star Wars in the style of the immortal Bard of Avon. The Saga of a wise (Jedi) knight and an evil (Sith) lord, of a beautiful princess held captive and a young hero coming of age, Star Wars abounds with all the valor and villainy of Shakespeare’s greatest plays.” This is the play you are looking for. Lightsaber fights included! Themed drinks/food/entertainment too – say whaaat!

Where: The Storefront Theatre (955 Bloor Street West)
When: February 7th Doors at 7pm, Show at 8pm
Tickets
: $10 in advance online www.secureaseat.com or $15 at the door. 

The Howland Company Reading Group – February:

February 9th Charles Mee’s “Big Love”, February 23rd Jez Butterworth’s “Jerusalem”

biglovephoto

“Bi-weekly, The Howland Company hosts an open event called The Reading Group, where artists are encouraged to gather, meet, reconnect and work with fellow members of the Toronto theatre community and ultimately read a play together.

The readings are a laid-back, social way to work with peers and continue to develop our craft. Scripts are provided and parts are assigned and exchanged on the fly. All are welcome to participate in reading or sit back and listen.”

Check out the history of The Reading Group, including all plays past and future, at: http://howlandcompanytheatre.com/the-reading-group/.

For event updates: https://www.facebook.com/TheHowlandCompanyTheatre

When: Sunday February 9th & Sunday February 23rd 7:30pm
Where: Location is posted on the Facebook Event page: https://www.facebook.com/TheHowlandCompanyTheatre
Tickets: Free