Embracing the Fast & Funny in the Site-Specific Fringe Show “Behold, the Barfly” – In Conversation with Justin Haigh
In the Greenroom’s Madryn McCabe sat down with Justin Haigh, writer, director and co-producer of Behold, the Barfly! playing at the 2016 Toronto Fringe Festival, to chat about the thrill behind how the show came together, working with a killer team, and the challenges and joys of working in a site-specific venue.
MMC: Why don’t you tell me a little bit about the show?
JH: Behold, the Barfly! is a surreal and cerebral sketch comedy revue set in the subconscious mind of a slumbering barfly. It’s got traditional sketches, some rather dark humour (bring the kids!), some theatre of the mind, a couple of musical numbers, a Christmas pageant that is just plain ridiculous, and a loose through-line that I won’t spoil here but that I hope will add just a smidge of genuine emotion to counterbalance the sheer silliness of it all.
MMC: I’ve read that you were asked to do a site-specific show after one had dropped out. What was it like putting together a show in only two months?
JH: I got an email at the end of March (I guess that actually makes it three months from email to opening night… but still, a timeline of madness) informing me that another site-specific show had dropped out and I was next on the waiting list, and did I want to take their place? Having no script, no plan, no venue, no cast, no creative team, and no budget, I was hesitant for obvious reasons, but Sarah [Thorpe – assistant director/co-producer/actor] said, “If you don’t do it, you’ll probably regret it.” I realized she was right. The Fringe is probably the most affordable way of independently producing a show in Toronto with the bonus of having a built-in enthusiastic audience willing to take a chance on just about anything. I’ve always loved sketch comedy and had always wanted to give writing it a shot, so I figured this was the universe telling me to shit or get off the pot.
It’s been pretty non-stop ever since then. I’ve found the biggest challenge (other than the lack of sleep and absence of free time) was to have to put a lot of pieces together simultaneously that would normally be done sequentially. I was writing the script at the same time as securing a venue, working on graphics, approaching potential cast members – I even had to come up with a description for the show for the Fringe program when I didn’t even have the thing written.
Needless to say it’s been an incredibly stressful yet productive two and a half months, and we will see what audiences have to say, but I’m quite proud of what we have managed to accomplish in so little time.
Photo by Laura Dittmann
MMC: You’ve got a great cast, full of popular indie theatre actors. How did you put this cast together?
JH: Your question makes it sound like I put together the A-Team – which in some ways is accurate. We’ve got performers Jeff Hanson and Sarah Thorpe, who are well-known in the indie scene; Eric Miinch, Ned Petrie, Marsha Mason, and Steve Hobbs, who are known within the sketch and comedy community; Elizabeth Anacleto is a respected figure in the clown community; and Kevin MacPherson is a classically trained actor who has made his mark in the east coast Shakespeare scene. It’s a bit of a Swiss Army Knife of a cast in that sense, which I love because everyone brings something a little different to the table and makes for a more interesting production over all.
As for how we assembled it, I was already friends with half the cast, so call that the benefit of having a social circle filled with talented individuals. It wasn’t really a question of if we wanted to work with them, but just what parts they’d be good for. The other half were either actors that I or Sarah saw perform somewhere at some point and we made a note of their talent and that we should keep them in mind for future projects (that’s how we got in touch with Kevin and Marsha who I think were both kind of surprised to get messages out of the blue from someone they’d never met), or actors who were recommended to us, like Steve.
MMC: How do you find doing a site-specific show different from a more traditional theatrical venue?
JH: The biggest difference is the lack of tech – you are very much dependent on the concept, writing, and performance to get the idea across. In some ways this is a limitation, but I think it enhances the immediacy of the work. The less artifice on stage, the closer to a shared reality you are with the audience. There is also that magical element of seeing a room or space unexpectedly brought to life by performance; theatre in a theatre leaves no room for surprise or spontaneity, but theatre in a non-theatre setting still feels fun and oddly risqué.
MMC: You’re known for the cabarets Love is a Poverty You Can Sell 1&2. What can your audience expect from Behold the Barfly! that is similar? Or what sets this show apart from your others?
JH: Like LIAPYCS 1 & 2, Behold, The Barfly! is set in a licensed establishment so one can expect the mood to be a bit more relaxed and a little more festive. We hope to give audience members more time than at a traditional venue to settle in, enjoy the atmosphere, grab a drink… maybe chat with some of the characters who will be floating around. I think the joyous atmosphere of the LIAPYCS shows and this one is the greatest common factor. I hope audiences will find the work to be intelligent but not labourious; the world is an increasingly dark and nutty place – I hope we can offer respite from it, even if it is only for 75 minutes.
What sets it apart is the fact that as a format and genre, this is totally unlike many of our past works which include Antigone and No Exit – Greek tragedy and existential drama this ain’t.
Behold, the Barfly!
Presented by Spoon VS Hammer as part of the 2016 Toronto Fringe Festival
Photo by Laura Dittmann
Who:
Written By: Justin Haigh
Company: Spoon vs. Hammer
Company origin: Toronto, Ontario, Canada
Cast: The Spoon Vs. Hammer Players
What:
From the writer of the smash hit ‘Love is a Poverty You Can Sell’ (★★★★★ / NNNNN) comes a surreal and cerebral sketch spectacular featuring some of Toronto’s finest comedy talent! Peer into the pickled subconscious of a slumbering barfly and behold the wonders within: Mirth! Adventure! Mediocre Poetry! Sober contemplation of life choices! Dinosaurs?
When:
June 29-July 3 & July 5-10 @ 7pm; plus July 9 @ 3pm
12 Performances!
Where:
Monarch Tavern, 12 Clinton Street, Toronto
Tickets:
$12, here: http://fringetoronto.com/fringe-festival/tickets-and-passes/
Connect:
Web: www.SpoonVsHammer.com
Facebook: SpoonVsHammer
Twitter: @SpoonVsHammer
Instagram: @SpoonVsHammer
#BeholdTheBarfly
WARNINGS: Strobe Light, Nudity, Sexual Content, Mature Language
