Artist Profile: Bilal Baig, Playwright
Interview by Hallie Seline.
It is an absolute pleasure to feature playwright Bilal Baig, chatting about what inspires him as an artist, the development of his current piece Acha Bacha, on stage this month with Theatre Passe Muraille and Buddies in Bad Times Theatre, and on writing “the story you need to tell”.
HS: What inspired Acha Bacha and how did the piece develop?
Bilal Baig: I was sexually assaulted when I was seventeen. One of the first things that was irrevocably changed after my assault was my relationship with my mother. I began to think: I’m queer, I’m not very religious, I like to fuck with gender sometimes and now I’m a survivor of sexual assault – will my mother EVER think I’m good?
I sat on this thought for about a year before I took a playwriting class with Judith Thompson at the University of Guelph and under her guidance, the first draft of the play exploded out of me in a few weeks in April 2013. That summer, I was connected to Damien Atkins, who worked as a dramaturge on the play (and is still a current mentor in my life). Through the Paprika Festival‘s playwright residency program, I met, worked with and fell in love with Djanet Sears, which resulted in an excerpt sharing of the play at the festival in April 2014, where Andy McKim was present. From that point on in the play’s developmental journey, I worked predominantly with Andy, Jiv Parasram and Brendan Healy as dramaturges.
HS: I am very excited about the team working on the show. What has it been like working with these artists bringing your show to life?
BB: I am very excited about this group of artists coming together as well! There has been so much love in the room and a fiercely deep commitment to understanding the story and honoring it with such care, curiosity and empathy. I am in sincere awe of all the artists I get to work and play with every day throughout this process! So much love.
HS: What are you most looking forward to about sharing this show with audiences now?
BB: I’m really curious about what the conversations around power, sex and shame will be surrounding this play.
HS: I know that you’ve both developed work with the Paprika Festival and worked with them. What has been the impact of this outlet on your growth as an artist?
BB: Paprika has been instrumental in my growth as an artist. It was a playground for me (for five years!) to explore my artistic obsessions and learn from what it feels like to put your work out there when it’s not ‘ready’. Artists who I met through Paprika five years ago have become friends I collaborate with today.
HS: What is best piece of advice you’ve received either in life or in art?
BB: “Write the story you need to tell”. That was actually the prompt given by Judith, which lead to the first draft of Acha Bacha. I think I use this advice in my life as well!
HS: What inspires you?
BB: I’m inspired by genderqueer Indigenous, black, people of colour living their truth. I feel like my art is probably inspired by shitty events happening in the world that devastate/confuse/terrify/arouse me to the point where I can’t talk about it anymore and I must write it.
Rapid Fire Questions:
What are you watching right now? America’s Next Top Model.
If you could travel anywhere, where would it be? Fiji or New Zealand. Or Vancouver.
Favourite food: Mom’s chicken fried rice or biryani. Or pizza.
Current mantra or goal for yourself as an artist this year: You’re allowed to feel ambivalent about your work and this career you are pursuing. That is okay.
Co-Produced by Theatre Passe Muraille and Buddies in Bad Times Theatre.
Written by: Bilal Baig
Directed by: Brendan Healy
Featuring: Shelly Antony, Qasim Khan, Omar Alex Khan, Matt Nethersole,
and Ellora Patnaik
Set and Costume Design by: Joanna Yu
Lighting by: C.J Astronomo
Sound Design and Music by Richard Feren
Stage managed by Kat Chin
For years Zaya has balanced his relationships with his religion and his queer identity. But as secrets from the past reveal themselves, and crisis strikes his family, he is torn between loyalties, culture, and time. Written by Bilal Baig, and directed by Brendan Healy, Acha Bacha boldly explores the intersections between queerness, gender identity and Islamic culture in the Pakistani diaspora. The show uses both English and Urdu to tell a story about the way we love, the way we are loved, and how sometimes love is not enough.
Theatre Passe Muraille Mainspace
16 Ryerson Ave. Toronto
February 1-18, 2018