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Interview with Rachel Blair – Playwright & Performer of “A Man Walks Into a Bar” at the 2015 Toronto Fringe

by Bailey Green 

A woman, with the help of a man, tells a joke: A man walks into a bar and meets a waitress. As lines between the performers and the characters blur, a tense and funny standoff about gender, power, and selling sex emerges. A Man Walks Into a Bar

Presented by Circle Circle and written by Rachel Blair, A Man Walks into a Bar is a stark exploration of the ways men and women interact. Inspired by current events, collected stories and her own experience, the play is a frank conversation about masculine and feminine interaction. The location— the loaded and often hyper-sexualized environment of a bar.

Rachel wanted to discuss inequality, for example: how from a very early age women are taught coping strategies to avoid violence and protect themselves. “In these kinds of conversations, about gender or race, someone has privilege and someone does not,” Rachel says, “and you might not realize how privileged you are until you hear how someone else isn’t.” She strove to make each character identifiable but challenging. In her own words, she describes the play as “funny, feminist, masculine, urgent and accessible.”

The play slips between two worlds, between interaction with the audience and absorption into the woman’s story. Rachel performs the role of the woman. Blue Bigwood-Mallin plays the man, and Rachel comments on his willingness to stretch as a performer, committing to the strong opinionated nature of his role. The play began as a satire on how men negatively respond to women’s stories— corrections, suggestions, interruptions, etc. Rachel did extensive research, using Reddit and message boards to examine the ways men dismantled women’s arguments. Now before I go further, let me introduce a hashtag conceived by the cast and crew:

#NotAllMenwhoWalkIntoaBar

One of Rachel’s challenges was to make the piece as balanced as possible, “I’m trying open up a discussion that happens often, and clearly sometimes blows up in our face and creates animosity—between men and women, women and women, men and men. I wanted to be very respectful to both voices without making them caricatures or demonizing them.” Rachel mentions White Ribbon for their work, men working to end violence towards women, and expresses her gratitude for the feminists in her life.

One of whom is her director, David Matheson (Artistic Director of the Dora nominated Wordsmyth Theatre) who was a mentor of Rachel’s while she studied at York. Their friendship grew from there. “David’s great about drawing out new aspects and finding moments while being very respectful of the work,” Rachel says. When Rachel was selected from the Fringe lottery, she proceeded to write the play in two months, going through multiple drafts with her dramaturg Andrew Cheng—who she has worked with for years.

After June 1st, Rachel officially switched over to acting the role as opposed to writing the show. She initially found it challenging to let go of the male character’s justifiable opinions at points in the story.“We’ve played a lot with my character’s volition and how much she needs to keep the conversation with the man amicable and light. As a playwright I’ve written this piece, and I’m outspoken and opinionated” Rachel says, “but for the character, this is a big brave thing to talk about this idea and tell this joke to a man. I think a lot of women may have huge opinions about who they are as women and where they stand but are scared to speak up for fear that they won’t ‘do it right’ or rock the boat or to encourage judgement.”

As for her intention for the audience, she hopes people hear an opinion different from their own and find themselves understanding even though they still may disagree. She hopes women find a sense of comfort in hearing any part of their experience heard. Let’s keep the dialogue going.

A Man Walks Into a Bar

A Man Walks In 3 Lo Res

A man walks into a bar and asks a waitress for a drink. A tense and funny metatheatrical look at gender dynamics.

From Rachel Blair, 2008 New Play Contest winner for Wake (NNNN, ***** Eye Weekly, Best of Fringe) and David Matheson, Artistic Director of Dora-nominated Wordsmyth Theatre and director of [sic] (Best of Fringe) and Bluebeard (Patron’s Pick).

By: Rachel Blair

Company: Circle Circle

Company origin: Toronto, Ontario

Director: David Matheson

Dramaturg: Andrew Cheng

Warnings: Mature Language

Where: Tarragon Theatre Extraspace

When:
July 01 at 06:30 PM
July 03 at 01:15 PM
July 04 at 07:00 PM
July 05 at 03:30 PM
July 06 at 08:30 PM
July 08 at 12:00 PM
July 11 at 05:15 PM

Tickets: http://fringetoronto.com/fringe-festival/shows/a-man-walks-into-a-bar/

 

 

Get Your 2015 Fringe On: What We’re Excited For & Some Friendly Fringe-ing Advice

It’s that time of year again… Happy Opening to the 2015 Toronto Fringe! There are so many shows, so many artists, so many activities, so much of everything… how do you even start? We’ve compiled a list of some shows that we’re excited to check out as we kick off our Fringe-ing for the next two weeks, as well as a few events that have caught our eye. We also have a bit of friendly Fringe-ing advice on how to get the most out of your Fringe Fest experience.

As always, this is just a starting off point. Our number one advice is to try something new that might not have made its way on to all of these lists. Also, #ConnectWithUs via Facebook, Twitter & Instagram to let us know what else we should check out!

The Crowd Pleasers

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Tried and true. These artists bring their A-game every time and we’re thrilled to have them back at the Fringe. Do. Not. Miss!:

Morro and Jasp Do Puberty, presented by Up your Nose and In your Toes (U.N.I.T) Productions – Tarragon Theatre Mainspace

Gavin Crawford: “Friend” “Like” #ME, presented by IdleMind Productions – Annex Theatre

Swordplay: A Play of Swords, presented by Sex T-Rex – Al Green Theatre

High Tea, presented by James & Jamesy – Randolph Theatre

Peter N’ Chris Present: Here Lies Chris, presented by Peter n’ Chris – Randolph Theatre

Caws & Effect, presented by Mind of a Snail Puppet Co. – Factory Theatre Mainspace 

The Musicals

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Is this the year of the new musical? Has the Fringe always been like this? Most likely. But whatever it may be, we’re super #intoit and these are the shows we are hoping to fill our hearts with song: 

Summerland, presented by Wexford Performing Arts – Harbord Collegiate Institute

Adventures of a Redheaded Coffeeshop Girl, presented by Rebecca Perry Productions – Annex Theatre

People Suck, presented by Nutmeg Creations – Randolph Theatre

Rounding The Bend, presented by Out of the Blue Theatre Company – Robert Gill Theatre

I’m Right Here – A Song Cycle, presented by Victor Theatre Productions – Tarragon Mainspace

Deadmouse: The Musical, presented by Malach Productions – Al Green Theatre

The Classics

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The Bard in a bar, twists on a classic or re-told with some sass by our favourite Shakespearean puppets, these are the “classics” we’re most excited for:

The Philanderess, presented by Truth ‘n’ Lies Theatre (inspired by G.B. Shaw’s The Philanderer“) – Annex Theatre 

The Merry Wives of Windsor, presented by Shakespeare BASH’d – The Victory Cafe 

Hamlet… A Puppet Epic! presented by Shakey-Shake and Friends – FringeKids! Club – George Ignatieff Theatre

Twelfe Night, or What You Will, presented by Ale House Theatre – St. Vladimir Theatre

The Storytellers

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A refreshing way to mix up your Fringe schedule. Get personal. Go back to the basics. Connect to the storytellers. These folks have caught our eye and are sure to ignite your imagination. They’ll make you laugh. They’ll make you cry. They’ll make you groove. They’ll make you dinner? They’ll get you right in the feels: 

In Case We Disappear, presented by Hopscotch on the Rocks – Tarragon Extraspace

The Untitled Sam Mullins Project, presented by Sam S. Mullins – Factory Theatre Mainspace

Graham Clark Reads The Phonebook, presented by Laugh Gallery – Factory Theatre Studio

Starry Notions, presented by Nefarious Projects – Annex Theatre

The Dinner Table, presented by Fail Better Theatre – 918 Bathurst St. (Downstairs Kitchen)

The Events:

Tent Talks – Take your theatre-going experience to a whole new level. Delve deeper in to different topics surrounding the theatre ecology of Toronto and connect with local artists and experts to continue the discussion.

Get Crafty – We are a BIG FAN of buttons and this year you can make your own! We’ll trade you for one of ours if you can find us in the tents! Or if cross stitching is more your game, that’s going on too! Find out more at The Fringe Club.

Photo Booth – “Fringe Portrait Studio” is a new addition to the Fringe alley from Art is Hard, creators of the SMASH hit FLIP THE TABLE. “A participatory live art experience”. We’re game to check it out!

Visual Fringe – Local artists gather and rotate every day in the Fringe alley. See some incredible artwork and met artisans that you can be-friend and support all year round. #buylocal #supportlocalartists

Our advice:

Take care of yourselves! Drink water, wear your sunscreen and get your rest. It’s a marathon, friends. Hard-core Fringe-ing can wear you down. Winner lasts the full two weeks!

Go in with an open mind and an open heart! Get in the spirit of the Fringe and go see something on whim. There is so much out there, why not try something new? It may surprise you.

Be bold and say hello! Stuck in the Fringe tents in between shows? Why not approach a fellow Fringe-er and make a new friend! Talk about what you’ve seen. Talk about the work. Talk about the theatre you go to all-year-round. Get off those cell phones and connect!

Now go out there and GET YOUR FRINGE ON! Happy Fringe-ing, friends. We’ll see you in the tent!

Fringe Preview: People Suck – An Irreverent Exploration of Human Suckiness – Presented by Nutmeg Creations at the 2015 Toronto Fringe

by Bailey Green

Megan Phillips had an epiphany. She was being a complete jerk to the people she loved — she had no idea why. She sat in a hipster coffee shop in Toronto during the 2014 Fringe when it hit her. After “journaling-out” some ideas, she got in contact with Peter Cavell. Megan calls Pete, “a brilliant composer” and knew he was the right person to bring this idea to life. When Megan told Pete the title, it sealed the deal — People Suck, an irreverent exploration of human suckiness.

They were intrigued by the concept of creating a song cycle based around a theme, as opposed to a musical with a linear arc or central character. People Suck plays with musical genres and unique characters, injected with a healthy dose of comedy. “Pete and I had very similar ideas of comedy,” says Megan, “but we also knew that in order to give that comedy depth, we had to explore the emotional layers behind the songs.”

Pete and Megan have known each other for almost 15 years, they attended Western together, and also come from similar backgrounds of working with Second City and sketch/improv work. Pete, writer and co-music director, is a current musical director at Second City. Megan, writer and cast member, heads an all-girl sketch comedy troupe called STRAPLESS COMEDY (who you may have seen at Fringe last year!).

They wrote People Suck on and off into the winter of 2014, while Megan lived in Vancouver and Pete lived in Toronto. But when they were pulled for the Fringe, they began writing multiple times a week over the phone. “Skype is not our friend,” they say. They kept track of lyrics in Google docs to coordinate progress, but couldn’t resist chasing each other’s cursors around the screen. “Our biggest challenge was time and distance,” Megan remembers. With the time difference, there was a narrow window where they could work. “I would get home after work, put my son to bed, and have only a few hours to write with Megan,” Pete says. In May, Megan moved to Toronto and the pair began to work on production. “Pete’s like a ‘real’ person… I mean he has a job and family and 2 year old, and Adriana [Pete’s wife] has been so amazing and supportive of Pete and this project,” Megan says. “She’s the best!” Pete agrees.

After both knowing him for years, their director Kerry Griffin (current director of Second City mainstage) was the first person they thought of to bring on to the project. As for cast, they needed to find actors with a comedic background who also had strong vocal chops. They chose: Ashley Comeau (Second City mainstage) and Connor Thompson (Second City) who are “a real life couple” adds Megan; Allison Price (Second City) who “coincidentally, we grew up as kids together,” says Pete, “and went to the same piano teacher”; as well as Arthur Wright, who went to university at the same time as Pete and Megan, who they also herald is a “phenomenal singer and actor.” Pete and Megan have been deeply appreciative of the hive-mind-like comedic writer atmosphere that has brought their piece to a new level.

They also credit their producer Victoria Laberge for her excellent work. Laberge, a native Montrealler very involved with theatre and FRINGE Montreal, has allowed Pete and Megan to focus on the creativity while Vic handles deadlines, press releases and “so many emails,” Megan says.

Their co-music director Jordan Armstrong, also a music director at Second City, brings a level of fresh musical improvisation and a bevy of skill with instruments to the table. Jordan plays clarinet, flute saxophone, percussion and piano (to name a few.) “So maybe she’ll grab her sax and I’ll grab my guitar, to we’ll fill out the musical texture a little more,” Pete says.

As for what they’re most excited for with the Fringe:

Megan: “Just doing the show for an audience! This show is so special and I feel so lucky to have had Pete as a partner and then the cast and everyone else who’s been involved. It’s our gorgeous little baby and now we’re get to show the baby to the world.”

Pete: “Getting this out there. We’ve been living with it for so long. Watching it now, the actors are all doing their thing and it’s made us step back and realize – wow, that was ours and now it’s this massive thing that can actually stand on it’s own.”

As for a teaser or preview? Megan graciously sings me a preview of their opener, in a Tim Hortons. The featured character is Miss Talbot, a teacher, who tells her class to settle down for the day’s lesson — that everyone has a special talent they bring (“In the potluck of life we can’t all bring the casserole,” Megan sings) but there’s always someone who plays a specific role.

“Suppose you lend your favourite dolly to Delilah,

Cause you were taught it’s nice and kind and good to share,

But then she keeps it for five years, and when it you get it back,

It smells like pee and it’s missing all it’s hair,

Then Delilah is an asshole.”

 

People Suck

Presented by Nutmeg Creations as part of the 2015 Toronto Fringe Festivalunnamed

By: Megan Phillips and Peter Cavell

Company: Nutmeg Creations

Company origin: Vancouver, British Columbia

Director: Kerry Griffin

Cast: Ashley Comeau, Megan Phillips, Allie Price, Connor Thompson, Arthur Wright

Creative team: Musical Direction by Jordan Armstrong and Peter Cavell. Produced by Victoria Laberge.

Warnings: Sexual Content, Mature Language

Where: Randolph Theatre

When:

July 01 at 08:15 PM
July 04 at 10:30 PM
July 06 at 12:45 PM
July 07 at 06:45 PM
July 08 at 10:30 PM
July 09 at 05:15 PM
July 11 at 11:00 PM

Connect with them: @PplSuckMusical

Connect with us: @intheGreenRoom_ & @_BaileyGreen

Tickets:

http://fringetoronto.com/fringe-festival/shows/people-suck/

Fringe Preview: “Ups. Downs. Keyboard. Dance. Millennials.” And more of what to expect in REGICIDE, a sketch comedy show at the 2015 TO Fringe

Interview by Shaina Silver-Baird

SSB: Can you tell us what “Regicide” means and how it affects this piece? 

Christian Smith: Yeah! Technically It means “Killing a King”. We aren’t trying to say anything by the name apart from we really loved when the Simpsons referenced it and we all thought it was a fun name. Naming a sketch comedy troupe is hard and silly. The concept of “Regicide” influenced the poster design and thus influenced some of the scenes we’ve created. We had a great designer to work with, Raul Delgado, and he created the poster. We took some of those themes and incorporated them into the show.

SSB: Regicide is not your standard play. What was the process for creating this show? 

CS: Well, writing sketch comedy can be hard because there are so many ways to create it. Everyone in the group came from a different background and have had different experiences, so we kind of all started writing on our own to begin with. I prefer to collaborate, but in this particular process I had to focus much more on my writing and it actually helped me get to the core of the idea quicker. As you know, Fringe approaches quickly once you hear you’ve gotten a lottery spot! There are also enormous benefits to pitching the idea in a room before that and to having the other creators brainstorm on it. In this case, we all had to shift the way we work and it was exciting.

It was a great learning experience as it is our first revue as the group “Regicide“. We brought in Kerry Griffin (current Second City mainstage director) to direct the show after we had a ton of material to show him and then he shaped it.

SSB: What’s it like working with Kerry Griffin? 

CS: Kerry is a great director and great guy. He doesn’t come in with any pre-conceived notions of the show or what he wants to see from the group. He reads the room, sees where our strengths lie and goes from there. He really allowed us to find our voices and then you can see him start to put a show together. He has great instincts and such an amazing sense of humour.

SSB: There are sooo many plays in the Fringe. What sets Regicide apart? 

CS: There are going to be so many good shows! Everyone has their preference in types of comedy and what they look for in a theatrical experience. If you’re looking for topical, creative, fun and (on occasion) thought provoking; then see our show. Personally, I like to use sketch comedy as a way to hold a mirror up to society and speak about concepts or topics that move/interest me. Sometimes we need to have a discourse about some things through the guise of a comedy show for us to know it’s okay to laugh about something. Or at the very least, have us start asking questions. I hope that makes sense. Sometimes comedy can tug at your heartstrings or punch you in the gut! That’s the kind of thing I’m interested in!

SSB: How was the team assembled? Did you know each other beforehand? 

CS: We all met in the Second City Conservatory program and here we are. We had some great people work with us. They run a great establishment there at the Second City.

SSB: Describe the show in 5 words.

CS: Ups. Downs. Keyboard. Dance. Millennials.

SSB: Who’s the one person you’d want to see this show? (Could be anyone alive, dead…)

CS: Well… since you said “could be anyone alive, dead….”, the ellipses made me think that I have to pick Tupac. No one knows either way if he’s alive or dead. I’d like the rumours to stop with us, here, at the Regicide show. He is now obligated to come see the show, one way or another. Gotcha Tupac!

 

regicide poster

 

Where: Helen Gardiner Phelan Playhouse, 79 St. George St., Toronto, Ontario

When:

July 01 at 08:15 PM
July 04 at 07:30 PM
July 06 at 05:00 PM
July 07 at 03:00 PM
July 09 at 12:15 PM
July 10 at 09:15 PM
July 11 at 03:30 PM

Connect with them:

Christian Smith – Writer/Performer    @ChristianVSmith

Sam Roulston – Writer/Performer      @SamWRoulston

Emma Davey – Writer/Performer       @TheEmmaJames

Gina Phillips – Writer/Performer         @GinaPhillips

Carson Gale – Writer/Performer         @Carson_Gale

Pete DeCourcy – Writer/Performer     @PeteDeCourcy

Kerry Griffin – Director                        @Kerry_Griffin

Nicola Dempsey – Musical Director

Georgia Brown – Stage Manager

Raul Delgado – Poster Design

Connect with us:

Shaina Silver-Baird – Writer             @SSilverBaird

In the Greenroom                            @intheGreenRoom_

Tickets:

http://fringetoronto.com/fringe-festival/shows/regicide/

 

One More Time with Feeling! Shakespeare BASH’d on remounting past hit “The Taming of the Shrew”

Interview by Hallie Seline

Hallie: Can you speak to me a little about remounting a show? 

James: It’s a really crazy experience! There’s a lot from the original production that has transferred over for us, but a lot of it is changing too. We’re three years older, with three years more experience (and marriage), so our approach to the show, the characters, and the relationship has evolved.

Julia: It’s kind of wonderful to have a full rehearsal period to revisit something you already know so well. You have an opportunity to try more and really dig deeper. Plus, we have some new people joining us for this production, so they’re bringing a new energy and perspective to the show that wasn’t there before.

Hallie: Why this show?

Julia: This show holds a special place in our hearts. It was our first full Shakespeare BASH’d production and we did it only months before our wedding. It was one of the most exciting summers of my life and the show was a huge part of it, so it’s amazing to get to revisit it and play opposite my husband again – that’s always fun.

Hallie: Anything new and exciting in this version? 

James: Lots of new and lots of old. The cast is a mix of returning and new, which is fantastic. The feel and energy of the original production is definitely still there, but the cast members are taking time to explore these characters with fresh eyes and Julia and I are discovering more and more about the controversial relationship between Kate and Petrucio. There’s definitely a lot of new stuff coming out. Plus, it’s in a new bar. The Monarch Tavern is a fantastic space and it’s allowing us to stage the show in a very different way than we did at the Victory Cafe.

Hallie: What can audiences hope to expect for this performance? 

Julia: Exciting, silly, heartwarming Shakespeare that keeps you laughing but also has a lot under the surface.

James: We’re really excited to talk with audience members after the show and see how it affected them.

Hallie: James, what’s it like to step away from the director’s role and back into acting? 

James: Of course, it’s a little tough. I’ve really enjoyed my time in the director’s position with Shakespeare’s plays. I really like shaping the story – it’s one of my favourite things. I think with acting, you have to let things be. You can’t control as much, if at all, at times, and therefore you have to take a breath and just be. Which is liberating as a storyteller. Surprises abound! Regardless, I have a great team on stage and off so I trust that the show will be fantastic!

Hallie: Describe the show to me in 5-10 words.

Julia: Hilarious, action-packed, beer-filled (and fueled), and full of love.

Hallie: What’s your favourite beer at the Monarch Tavern?

James: Great Lakes Karma Citra IPA

Julia: Oast House Barn Raiser Country Ale

Hallie: Favourite line from Taming of the Shrew:

Julia: “Ye are a baggage.” Shakespeare really knew how to hit where it hurts.

James: “Is not this well?” that’s what everyone wants to know.

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When: April 9th – 12th, 2015

Where: Monarch Tavern, 12 Clinton Street

Tickets: $18 shakespearebashd.com/tickets

Connect: @ShakesBashd

Connect with ITGR Hallie: @HallieSeline