I saw Sharron Matthews perform cabaret for the first time at the Edinburgh Fringe Festival in August 2011. Her incredible vocals, dynamite stage presence and the way she reached out to her audience completely captivated me. About two years ago, when Sharron began her artists residency at Buddies in Bad Times Theatre, I witnessed the first incarnations of her new show, Full Dark. Full Dark had a different, gritty feel, and the piece dealt with themes of fear, loneliness and grief. Now, after several workshops and performances, Sharron is bringing Full Dark to the Chamber at Buddies for the Rhubarb Festival.
Sharron originally workshopped Full Dark twice before doing a full run at Sheridan College in the fall of 2013. After the Sheridan run, Sharron wasn’t sure she could return to the project. The subject matter had weighed heavily on her and writing the show, which had turned into more of a book show, had lost its joy. She sat down with Brendan Healy (Artistic Director of Buddies) for a long talk. Brendan suggested that Sharron bring in a director and a dramaturge. “I’d always been in charge of my own voice,” Sharron remembers, “but I’d thought about it. The distance [from the project], it helped me discover news things and be brave.”
Photos by Mike Bickerton
Sharron had seen The Gay Heritage Project in early winter of 2013 and had admired it for being moving and exciting work. Specifically she was drawn to how the creators, Damien Atkins, Paul Dunn & Andrew Kushnir, married storytelling and music. She connected with Andrew Kushnir and they set up a pair of three day workshops in March and October 2014 (attended by Sharron, Andrew, Brendan, with musical director Steve Thomas joining for the second one.) The workshops went well and Andrew Kushnir became the director and dramaturge of Full Dark at Rhubarb.
On working with Andrew, Sharron praises his intuitive nature as a dramaturge and his ability to stand even farther outside as a director to decide what serves the piece best. “Andrew sees what I’m doing and helps me find ways to get there when I’m not sure,” Sharron says, “I’m not giving away the steering wheel, someone’s helping me drive.” Cabaret is a meeting of minds, between performer/writer, director, dramaturge, musical director and musicians. Sharron raves of her team which includes Jason Chesworth on guitar and mandolin and Bob DiSalle on percussion. Musical director Steve Thomas has been her go-to chief arranger for many years and “is a really safe person to have on a trip like this.” Steve Thomas has a conflict with the run at Rhubarb, so stepping in to play piano is Wayne Gwillim.
As a constantly evolving artist, Sharron continues to push the her own boundaries as a cabaret artist. Earlier last year, she performed a Prince-themed cabaret at the Global Cabaret Festival at Soulpepper. And this past January, Sharron spent a month in Puerto Vallarta, Mexico hustling to promote her shows by day and performing two separate cabarets (made up of “previously loved material”) by night.
“I wanted to find new ways to tell a story, in cabaret,” Sharron says of her residency at Buddies. “For a long time I did the kind of ‘cabaret way’, essentially a lot of comedy so then I felt I’d earned myself a ballad. Now I want to tell deeper stories in the same format.” Of the process of rehearsing and creating a fresh production out of Full Dark, Sharron says “It’s very exciting and fresh and immediate. I get so excited about coming to work every day. I haven’t felt like that since I did Les Mis when I was 21.”
When asked about Rhubarb, Sharron expresses her excitement about a festival that celebrates pieces that are in transit, in action, in progress. Work that pushes boundaries and stories that are unique to the artists who tell them. As for the moment that Sharron looks forward to the most during Full Dark, she says it is right at the end. It’s a new mash up of “XO” by Beyoncé and “Glitter in the Air” by P!nk. “It’s a gift to myself because it’s right at the end. And I know it’s there,” Sharron says, “It’s a joyous song.”
Sharron Matthews: Full Dark
What happens when Canada’s best cabaret performer assembles a three piece band and takes a walk on the scarier side of the street? Full Dark expands Sharron Matthew’s signature style to delve into the darker sides of storytelling – about growing up fatherless, about being bullied, about sexuality and danger, the unacceptable, and the unexplained.
When: February 18-20 at 10:00pm
Where: In the Chamber at Buddies in Bad Times Theatre
Artists: creator / performer Sharron Matthews | director / dramaturge Andrew Kushnir | musical director / arranger Steve Thomas | guitar / mandolin Jason Chesworth | percussion Bob DiSalle
Why is theatre relevant? Whether it allows you to re-connect with your inner child, be exposed to a new perspective, challenges your pre-conceptions or allows you to let your guard down, whether you’re looking for a sexy night out, a night to sing and dance with childish glee without feeling out of place, or simply looking to be entertained and connect with those around you through classic love stories and a beer in hand, these productions are On Our Radar, Toronto, and we think you should get stoked for theatre this November!
With a newly extended run, we’ve heard nothing but exciting things about this production. Bold, brave work, exciting use of a new venue to the Toronto scene (The Downstage), and some incredible talent that must be noted!
“John Patrick Shanley is an Oscar, Tony and Pulitzer prize-winning writer of stage and screen. He is best known for the 1988 film Moonstruck, and the 2004 play Doubt, which was also adapted into an Oscar-nominated film in 2008.
Bob Kills Theatre is an experience in visceral theatre. Founded by Melissa D’Agostino and Diana Bentley, the company strives to present unique, often surreal, texts in interesting venues. With an emphasis on bold stories and the virtuosity of performance, Bob Kills Theatre aims to challenge, engage, entertain and instigate.”
Various 32-year olds seek love, sex and a way out of their dead-end lives.
Adapted from the novella by Dostoevsky, created and performed by Adam Paolozza, Arif Mirabdolbaghi and Viktor Lukawski, we’ve heard this production described as hilarious, whimsical, psychologically complex, haunting and magical. If that doesn’t catch your interest, maybe this delightful trailer will. Catch this gem of a remount before it closes!
“When are you no longer yourself? The anxious government clerk Golyadkin is plagued by a stranger who looks just like him but is more daring, romantic and brash. Inspired by Dostoevsky’s novella The Double, this theatrical triangle between a neurotic, his doppelganger and a stand-up bass transports us to 19th century Russian high society and Golyadkin’s labyrinthine search for his identity.
After a hit independent run last season that saw a Dora Award win for lighting design, Tarragon warmly welcomes this dark satire about our deepest fears of losing our identity.”
If there is one production we have been excited about for its first professional Canadian Theatre debut, it’s Bound to Create Theatre’s production of Dirty Butterfly as part of Obsidian Theatre’s 2013/14 presentation series. Since its first run at the 2012 Toronto Fringe Festival, we’ve heard nothing but incredible things of this arresting play by British playwright Debbie Tucker Green and after seeing its opening, this hypnotic play is not to be missed!
“This drama explores voyeurism, power and guilt by confronting the collateral damage of domestic abuse and racial economic divide.”
There’s a new George F. Walker in town and with some pretty incredible young Canadian talent as its leads, local talent Haley McGee and Vancouver native Graeme McComb, and we’re into it!
“Moss Park is an intimate look at two young people as they confront an uncertain future. In this follow up to Tough!, George F. Walker takes Bobby and Tina on a journey as they fight to map a life that doesn’t include poverty.”
Featuring poetry by Dennis Lee, presented by Soulpepper
This needed a remount in the most heart-felt way. We saw this last fall and what a treat it was to watch this talented group of artists weave the children’s poems of Dennis Lee together with heart, humour and glee-inducing creativity. This family-friendly production is definitely enjoyable for all ages on so many levels as it celebrates imagination and invention.
If you know anything about Shakespeare BASH’d it’s the long line-up of Fringe hopefuls trying to snag the last few tickets at the door of their two sold-out Fringe hits with both their 2012 production of Taming of the Shrew and Much Ado About Nothing this past Summer at the Victory Café. If you managed to get your tickets early, then you got to see what all of the hype was about – a clean, story-focused Shakespeare, chalk-full of boisterous local talent, all of which you could enjoy with a drink in hand. Well BASH’d is about to present their first tragedy outside of the Fringe circuit and bring us to the incredible 3030 Dundas West in the Junction, inviting us to grab a beer (perhaps from one of the 3030’s many local craft beer selections) and reconnect with Shakespeare’s greatest story of original young love-at-first-sight.
We had the pleasure of catching this gem at the Atlantic Fringe Festival on a visit to Halifax this September and we’re very interested to see it in its next stage of development in Toronto at the intimate Videofag space. Andrea Nemetz from the Chronicle Herald expresses our thoughts on Mature Young Adults perfectly: “Everyone has been a teenager in love, or will be. …an astonishingly real look at that most complicated of emotions.”
“This tragi-comic love story continues the theatrical tradition of East Coast playwriting greats David French and Daniel MacIvor with a contemporary twist for the Facebook generation. In a world where labels and gossip fly through cyberspace like lightning, is it possible to love without giving up your identity? Can you escape the container your community places you in?”
If you are looking for a crazy, sexy performance to spice up your life as the temperatures drop… we’re looking to After Miss Julie presented by Red One Theatre Collective. After Miss Julie is a version of Strindberg’s Miss Julie by Patrick Marber, where Marber amps up the power play between Julie, John, and his fiancée Christine to a deliciously dangerous level. The result, a steamy and at times manic and even hilarious power play amongst the class structure of 1945 England. With David Ferry as the director and a cast of some exceptional young local talent (Claire Armstrong, Christopher Morris and Amy Keating), we can’t wait to see what Red One brings to the Storefront this November.
If you’ve never been to a Gargantua performance, now is your chance to catch their world premiere of their 10th cycle of work The Sacrifice Zone. Created through their unique process, Theatre Gargantua is artist driven and works as a creative ensemble, producing projects in two-year cycles. We’re overflowing with excitement to see their latest creation, blending physical theatre, vocal soundscapes and unique storytelling and staging and we think you should be too!
“An industrial explosion shatters lives in an isolated resource town, rocking the balance of the community. While Alex and Hannah struggle with the loss of their partners, Laura and Patrick renegotiate the boundaries of a love affair, and newcomer Elly watches the emotional landscape change as arrestingly as the physical environment does. When everything is at stake, what would you sacrifice to make things right?
The Sacrifice Zone cuts right to fundamental questions of who and what are our responsibilities? And is balance, indeed justice, ever possible? Gargantua explores real world issues of individual, corporate and environmental accountability through their signature physical and critically acclaimed contemporary visual style in this gripping production based on a script by celebrated Australian playwright Suzie Miller.”
Where:Factory Studio Theatre When: November 13th-30th Wednesday-Saturday 8pm, Saturday November 16th & November 20th 2pm. Tickets: $19-$25, Buy tickets at www.factorytheatre.ca
The Gay Heritage Project
Created and performed by Damien Atkins, Paul Dunn & Andrew Kushnir, presented by The GHP Collective in association with Buddies in Bad Times Theatre
We just caught a glimpse of this promo video, and we can’t wait to catch it mid-November! A collaboration between acclaimed theatre makers Damien Atkins, Paul Dunn, and Andrew Kushnir, The Gay Heritage Project offers audiences a unique chance to discover, celebrate and connect to our queer heritage. Once again, Buddies in Bad Times provides Toronto with relevant, thought-provoking, socially-conscious theatre.
“Three of our country’s most gifted creator/performers set out to answer one question: is there such a thing as gay heritage? In their search, they uncover a rich history not often shared and shine new light on contemporary gay culture. The result is a hilarious and moving homage to the people who came before us and the events that continue to shape our lives.”
Know something that should be On Our Radar, Toronto? Connect with us through Twitter & Facebook using the hashtag #OnOurRadarTO or send us an email to inthegreenroom.ca@gmail.com. What’s on your Radar?
RT @canadianstage: Join us for #sweatTO tonight! $30 rush tickets are available from 6pm at the box office - first come, first served. @stu… 5 months ago
