Full Dark by Sharron Matthews at the 36th annual Rhubarb Festival
by Bailey Green
I saw Sharron Matthews perform cabaret for the first time at the Edinburgh Fringe Festival in August 2011. Her incredible vocals, dynamite stage presence and the way she reached out to her audience completely captivated me. About two years ago, when Sharron began her artists residency at Buddies in Bad Times Theatre, I witnessed the first incarnations of her new show, Full Dark. Full Dark had a different, gritty feel, and the piece dealt with themes of fear, loneliness and grief. Now, after several workshops and performances, Sharron is bringing Full Dark to the Chamber at Buddies for the Rhubarb Festival.
Sharron originally workshopped Full Dark twice before doing a full run at Sheridan College in the fall of 2013. After the Sheridan run, Sharron wasn’t sure she could return to the project. The subject matter had weighed heavily on her and writing the show, which had turned into more of a book show, had lost its joy. She sat down with Brendan Healy (Artistic Director of Buddies) for a long talk. Brendan suggested that Sharron bring in a director and a dramaturge. “I’d always been in charge of my own voice,” Sharron remembers, “but I’d thought about it. The distance [from the project], it helped me discover news things and be brave.”
Sharron had seen The Gay Heritage Project in early winter of 2013 and had admired it for being moving and exciting work. Specifically she was drawn to how the creators, Damien Atkins, Paul Dunn & Andrew Kushnir, married storytelling and music. She connected with Andrew Kushnir and they set up a pair of three day workshops in March and October 2014 (attended by Sharron, Andrew, Brendan, with musical director Steve Thomas joining for the second one.) The workshops went well and Andrew Kushnir became the director and dramaturge of Full Dark at Rhubarb.
On working with Andrew, Sharron praises his intuitive nature as a dramaturge and his ability to stand even farther outside as a director to decide what serves the piece best. “Andrew sees what I’m doing and helps me find ways to get there when I’m not sure,” Sharron says, “I’m not giving away the steering wheel, someone’s helping me drive.” Cabaret is a meeting of minds, between performer/writer, director, dramaturge, musical director and musicians. Sharron raves of her team which includes Jason Chesworth on guitar and mandolin and Bob DiSalle on percussion. Musical director Steve Thomas has been her go-to chief arranger for many years and “is a really safe person to have on a trip like this.” Steve Thomas has a conflict with the run at Rhubarb, so stepping in to play piano is Wayne Gwillim.
As a constantly evolving artist, Sharron continues to push the her own boundaries as a cabaret artist. Earlier last year, she performed a Prince-themed cabaret at the Global Cabaret Festival at Soulpepper. And this past January, Sharron spent a month in Puerto Vallarta, Mexico hustling to promote her shows by day and performing two separate cabarets (made up of “previously loved material”) by night.
“I wanted to find new ways to tell a story, in cabaret,” Sharron says of her residency at Buddies. “For a long time I did the kind of ‘cabaret way’, essentially a lot of comedy so then I felt I’d earned myself a ballad. Now I want to tell deeper stories in the same format.” Of the process of rehearsing and creating a fresh production out of Full Dark, Sharron says “It’s very exciting and fresh and immediate. I get so excited about coming to work every day. I haven’t felt like that since I did Les Mis when I was 21.”
When asked about Rhubarb, Sharron expresses her excitement about a festival that celebrates pieces that are in transit, in action, in progress. Work that pushes boundaries and stories that are unique to the artists who tell them. As for the moment that Sharron looks forward to the most during Full Dark, she says it is right at the end. It’s a new mash up of “XO” by Beyoncé and “Glitter in the Air” by P!nk. “It’s a gift to myself because it’s right at the end. And I know it’s there,” Sharron says, “It’s a joyous song.”
Sharron Matthews: Full Dark
What happens when Canada’s best cabaret performer assembles a three piece band and takes a walk on the scarier side of the street? Full Dark expands Sharron Matthew’s signature style to delve into the darker sides of storytelling – about growing up fatherless, about being bullied, about sexuality and danger, the unacceptable, and the unexplained.
When: February 18-20 at 10:00pm
Where: In the Chamber at Buddies in Bad Times Theatre
Artists: creator / performer Sharron Matthews | director / dramaturge Andrew Kushnir | musical director / arranger Steve Thomas | guitar / mandolin Jason Chesworth | percussion Bob DiSalle
Full Dark is being developed by Sharron Matthews as part of Buddies’ Artist Residency Program